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The following is a transcript of the author’s interview with the famous Edna Bookchat. The conversation took place on Edna’s Bookchat Show, the Show Where You Chat About Books in August 2008.

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Edna: Before we begin, can you briefly summarize the plot?

 Ivana: ‘A Decent Ransom’ is a story about a kidnapping. It focuses on the relationship between one of the kidnappers and the kidnapped girl. The hero of the novel is a vulnerable fifteen year old boy who, through circumstance, finds himself the keeper of a beautiful young woman held hostage in his room. When things do not go according to plan, the two forge an alliance, resulting in dire consequences for some.

 Edna: What drew you to the subject of a kidnapping for the premise of your novel?

 Ivana: I was inspired by John Fowles’ classic thriller ‘The Collector’ which deals with the relationship between a kidnapped woman and her kidnapper. Intrigued by the idea of such a relationship, I decided to write my own novel about a kidnapping, and used multiple perspectives to enable the reader to see the situation from each person’s point of view, to understand their motives and to come to feel compassion for all involved, thus blurring the distinction between the good and the bad guys. Also, I have always been fascinated by the different emotional reactions that people show under pressure and what those reveal about them. In the story, the four central characters involved in the kidnapping are, on the surface, experiencing the same situation but their responses to this crisis are completely different owing to their diverse backgrounds, childhood experiences and social standing, and their own moral compass. I wanted to write a novel that would reflect how all of the above influence people’s decisions, especially those that can result in life-altering changes for everyone involved.

 Edna: The protagonist of your novel, the young Phoebus, does not fit the stereotypical image of a kidnapper. What prompted you to make him such a likeable character?

 Ivana: The main theme of the book is redemption and the acceptance of one’s responsibility for one’s actions. By giving Phoebus a positive role I wanted to allow the reader to identify with him. I’ve always had this image of Phoebus as a modern day Huckleberry Finn, coming across a little naive and easily swayed towards mischief, but a real sweetheart nonetheless, and always able to make the right moral choice.

 Edna: The story is written in multiple perspectives. What appealed to you about telling the story that way?

 Ivana: I wanted to give the reader a complete experience, and I felt that a 360 degree view of the action would help to immerse the reader in the moment. Also, it is important to me that the reader understands the motives behind each character’s actions and how their decisions, intentional or otherwise, influenced the eventual outcome.

 Edna: Nothing in this novel is as it seems. Do you think it is important to keep your readers guessing?

 Ivana: Absolutely. I think it is vital that the reader feels invested in the story, and a storyline that is constantly evolving makes for a very satisfying reading experience.

Edna: Given the curious ensemble of characters in your novel (a stutterer, a dwarf, an exotic dancer, an adulterer, and a woman who has an imaginary friend) the protagonists come across as a surprisingly ordinary bunch of people. Was this intentional?

 Ivana: Yes, I wanted to make the point that appearances can be deceiving, as indeed they often are. All of us are judged by our appearance at one time or another, especially those of us who do not fit the conventional standards of beauty. By giving some of my characters unusual physical appearance, I wanted to challenge that notion, intending to prove that appearances do not account for much. And of course, I wanted to create memorable characters who would stand out from the crowd. Most importantly, I wanted to have fun with them and to make them as interesting and realistic as possible without, hopefully, descending into the realm of the bizarre.

 Edna: Did you have the surprise ending in mind when you began writing the novel, or did it evolve later in the process?

 Ivana: I knew from the beginning where I wanted Phoebus to be at the end - somewhere better than where he started. I’ve always thought of the story as a classic example of a rite of passage novel – the hero is given a challenge which marks the transition from childhood to manhood. He is forced to give up thinking like a child and begin to take responsibility like an adult; that is to cope with unexpected changes, endure hardship, and act with courage in the face of adversity. Given that the only constant in the novel is constant change taking Phoebus to places he’d never dreamed he’d be (literally and morally), I felt that Phoebus, at the end of his arduous journey of self-discovery, needed to be rewarded with success, but of course, every success has its price.

 Edna: The story reads like an adventure and a thriller woven into one. Where do you see the book in terms of genre?

 Ivana: I would characterize ‘A Decent Ransom’ as a thriller; partly a dark social commentary on the effects of poverty and the erosion of family ties, and partly a study of human interaction under pressure.

 Edna: What might readers, particularly young people, take from this book and apply to their own lives?

 Ivana: The overall theme of the novel is redemption. The intended message here is that all difficult situations and seemingly insurmountable problems have a solution, and that it is up to the individual to make the right choices to bring about positive changes in their lives. That being said, ‘A Decent Ransom’ is by no means a serious book; my first priority was to make the novel entertaining because there is nothing more off putting than being preached to.

 Edna: Who, in your opinion, will enjoy reading the story?

 Ivana: I’ve always felt that the story champions the underdog and the notion of good triumphing over evil, so I hope the novel will appeal to anyone who appreciates a good adventure. I certainly enjoyed every moment of creating it, and my sincere wish is that my readers will experience the same.

 Edna: Thank you, Ivana, for coming in and good luck with it.

 Ivana: It was a pleasure, Edna. Cheerio.
 

After the interview, Edna slots back into her busy day, while the intrepid Ivana goes off in search of fresh promotional leads…

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The First Ever Interview
 
In July 2008 the author appeared on the popular television show: Ned's Pearls of Wisdom The Television Show. The interview in its entirety (2.20mins) is transcribed below. Enjoy!

Before the interview:

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The interview:

The First Ever Television Interview with Fiction Author Ivana Hruba in which the Word Really is Mentioned a lot and Mysteries of ‘A Decent Ransom’ all but Revealed.

 

Ned:  So I’m reading here that you’re pretty, witty and very very talented?

Ivana (smiling and casting demure glances like a virgin bride): Don’t you believe everything you hear, Ned. I wouldn’t say I’m very very talented. Just talented, really.

Ned (nodding): I see. It says here that you write, paint, draw cartoons, decoupage, crochet clothes for your dogs and the cat, trim trees into geometrical shapes, dress garden gnomes as characters in Shakespearean plays, fluently gesture in fifty-five languages, make really tiny landscapes in really tiny glass bottles using only toothpicks and moss, organize baby wardrobes  for a modest fee and … (Ned squints closely at the print out)…make nice-smelling candles to sell at your local church. That’s very impressive, Ivana.

Ivana (looking very pleased): It is, Ned. And I also play the guitar.

Ned (with just a hint of irony): Aha. You wouldn’t be a singer too by any chance, would you?

Ivana (a slight blush suffusing her attractive cheeks): Well, funnily enough, I was in a band for years.

Ned: Singing?

Ivana: Lead.

Ned: Naturally.

Ivana: Naturally. (Here Ivana beams, winking at Ned and raising her brows just so.)

Ned (taking the hint) affords himself an indulgent smile: And you were successful, I take it?

Ivana (grinning expectantly at the thought of delivering a witty punch-line): Well, we made just enough to keep me in waitressing.

(A slight pause follows during which eventually Ivana stops grinning.)

Ivana (tossing her hair playfully): I’d like to point out that I am no longer in that line of work.

Ned: Oh? What made you give that up?

Ivana: Popular demand, really.

Ned (laughs heartily): Sorry to hear that. It must have been tough when nobody showed up.

Ivana (looking pointedly around the empty studio): I wouldn’t know about that. We had lots of people come to our shows. Loads, really.

Ned: So it was a good show then?

Ivana: Oh yes, well worth the two dollar cover charge. We had queues every pension night.

Ned: Really? At the door?

Ivana: Well … (looks undecided for a moment then decides to tell the truth)… perhaps I should explain. There were queues at the toilets every pension night because we only played every second Thursday and they wouldn’t let us use the stage so we just set up by the wall between the Ladies and the Men’s but the drummer couldn’t really fit the drum kit in that tiny narrow space so the kit basically barred the toilets on both sides and people had trouble getting in.

Ned (after a pause during which he stared intently at Ivana sitting across from him): Right, right. Interesting.  So why didn’t you keep going if you were that popular?

Ivana: I wasn’t really comfortable with that kind of exposure. It was too much. People were taking photos and everything.

Ned (perking up): What? You did nude photos?

Ivana (gasping theatrically): Me? I never!

Ned: Why not?

Ivana: Nobody asked, if you must know.

(An awkward pause follows during which Ned contemplates why it was that Ivana wasn’t asked to pose nude and Ivana contemplates why Ned would be wondering about that when there’s a great literary tome to talk about. The hush is broken when Ned eventually mutters):

Sooo… let us speak about the novel. I would imagine it is worth a lot to you.

Ivana: Well, Ned, I don’t think about it in monetary terms. It’s not viable, really.

Ned: Of course not. You can’t really put a price on those things, can you?

Ivana: Oh, I could.

Ned laughs a wee bit too loud. Leaning slightly forward, he winks at Ivana across the table.

Tell me how much you got for the book.

(Ivana sighs, looking resigned if slightly uncomfortable because she knows she has no choice but to answer - after all, she had promised to give a ‘warts and all’ interview):

Well, without giving away any details, dear Ned, I can tell you that the money I’ve already received is well in line with the immense talent I possess and the high profile I enjoy.

Ned: Yes, I've heard you're huge on social networking websites. It says here you've got about five hundred friends on Ned's Greatest Reads.

Ivana beams proudly and casts more demure glances: Actually, it’s a bit more than that. 538 in total.

Ned: Right, right. Interesting. Soo…(Ned nods thoughtfully, swiveling slightly in his swivel chair) …would you say you’re close to these people?

Ivana (hesitantly): Well…we’re friends, you know.

Ned: Aha. So if you came face to face with one, you’d be okay with that?

Ivana: Oh yeah, I’d be all right. I carry me Mace on me at all times.

Ned picks up a stack of loose papers he had been gathering into a pile during the interview and taps the pile into a neat stack.

Ned: Well, then, Ivana, it’s been a pleasure. (He beams at the author, extending his hand towards her in a gesture of good-bye.)

Ivana (confusedly): Huh? So soon? Can we talk about the book?

Ned: Sorry, love, we’re out of time.

 

P.S. After the interview, Ned invited Ivana to sit on his knees. When she declined, he settled for sitting next to her to pose for a photograph.

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Laughing